{"id":11475,"date":"2021-09-23T14:39:55","date_gmt":"2021-09-23T12:39:55","guid":{"rendered":"https:\/\/www.berlin-producers.de\/project\/der-karneval-der-tiere-ein-musikstueck-erzaehlt\/"},"modified":"2022-05-31T16:42:49","modified_gmt":"2022-05-31T14:42:49","slug":"the-carnival-of-the-animals","status":"publish","type":"project","link":"https:\/\/www.berlin-producers.de\/en\/project\/the-carnival-of-the-animals\/","title":{"rendered":"The Carnival of the Animals \u2013 The Story of a Score"},"content":{"rendered":"

[et_pb_section bb_built=”1″ fullwidth=”on” specialty=”off” next_background_color=”#000000″ inner_width=”auto” inner_max_width=”none”][et_pb_fullwidth_header _builder_version=”4.17.2″ title=”The Carnival of the Animals \u2013 The Story of a Score” subhead=”A film by Holger Preusse and Philipp Quiring, 52 min., WDR\/ARTE 2021″ background_color=”#de0e20″ background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff” \/][\/et_pb_section][et_pb_section bb_built=”1″ prev_background_color=”#000000″ inner_width=”auto” inner_max_width=”none”][et_pb_row][et_pb_column type=”4_4″ custom_padding__hover=”|||” custom_padding=”|||”][et_pb_text _builder_version=”4.12.1″]<\/p>\n

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Nominated for the Rose d\u2019Or-Award 2021<\/a>, in the Category\u201eArts\u201c, as well as the Golden Prague Awards 2021<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/et_pb_text][et_pb_video _builder_version=”4.12.1″ src=”https:\/\/vimeo.com\/643539035″ \/][et_pb_text _builder_version=”4.12.1″]<\/p>\n

\"\"<\/a>The \u201cCarnival of the Animals\u201d<\/em> is his best known work. Camille Saint-Sa\u00ebns never wanted to publish it during his lifetime. On the 100th anniversary of the composer’s death in December 2021, the music piece itself tells us how the dwindling act of birth occurred in the composer’s mind. It is the notes that tell us of its suffering and of its triumph on the great stages of the musical world.<\/p>\n

According to the will of its creator, Camille Saint-Sa\u00ebns’ “Carnival of the Animals”<\/em> was to be performed only once, in March 1886, on Shrove Tuesday. And now this piece has stolen the show from Camille Saint-Sa\u00ebns’ other works for a hundred years. Directors have brought Saint-Sa\u00ebns’ music to Hollywood. At the Cannes International Film Festival, “The Aquarium” is the<\/u> signature tune.<\/p>\n

The film shows that “Carnival”<\/em> is more tha\"\"<\/a>n the musical characterization and exaggeration of various species. There are numerous contemporary historical and biographical references in “Carnival”<\/em>, as revealed by Venezuelan pianist Gabriela Montero, French-Belgian cellist Camille Thomas, and U.S. organist and composer Cameron Carpenter.<\/p>\n

For the documentary, musical notes were elaborately animated, telling us the story from the perspective of the piece of music. The role of the narrator was taken over by German actor Sebastian Koch. An orchestra specially assembled for the film lets the music of the “Carnival of the Animals”<\/em> resound.<\/p>\n

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\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Nominated for the Rose d\u2019Or-Award 2021, in the Category\u201eArts\u201c, as well as the Golden Prague Awards 2021 The \u201cCarnival of the Animals\u201d is his best known work. Camille Saint-Sa\u00ebns never wanted to publish it during his lifetime. 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