{"id":13324,"date":"2023-03-03T13:59:10","date_gmt":"2023-03-03T12:59:10","guid":{"rendered":"https:\/\/www.berlin-producers.de\/?post_type=project&p=13324"},"modified":"2023-03-03T14:00:49","modified_gmt":"2023-03-03T13:00:49","slug":"music-ex-machina-artificial-intelligence-in-classical-music","status":"publish","type":"project","link":"https:\/\/www.berlin-producers.de\/en\/project\/music-ex-machina-artificial-intelligence-in-classical-music\/","title":{"rendered":"Music ex machina – Artificial intelligence in classical music"},"content":{"rendered":"

[et_pb_section bb_built=”1″ fullwidth=”on” specialty=”off” next_background_color=”#000000″][et_pb_fullwidth_header _builder_version=”4.19.2″ title=”Music ex machina – Artificial intelligence in classical music” subhead=”A film by Bernard Wedig and Stefan Pannen, 52min, WDR, 2023″ background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff” background_color=”#de0e20″ \/][\/et_pb_section][et_pb_section bb_built=”1″ prev_background_color=”#000000″][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”4.19.2″ background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff”]<\/p>\n

Music created with the assistance of artificial intelligence is a well-established secret in the world of pop. Today, AI is also making serious inroads in the classical domain, bringing us to the threshold of a new era in classical music. From the recording of the first samples to the premiere performance at the Semperoper in Dresden, the film accompanies the creation of the opera “Chasing Waterfalls”, which was co-composed by artificial intelligence.<\/p>\n

[\/et_pb_text][et_pb_image _builder_version=”4.19.2″ src=”https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/02\/KI_Klassik_02.jpg” background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff” \/][et_pb_text _builder_version=”4.19.2″ background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff”]<\/p>\n

We follow the AI as it reconstructs Beethoven’s 10th<\/sup> symphony and watch it perform with Robbie Williams, and we see how pianist Dirk Maassen at the Sony Science Lab in Paris and saxophonist Asya Fateyeva at the Hochschule f\u00fcr Musik N\u00fcrnberg interact with AI in real time, and how Spanish professor Eduardo Miranda in Plymouth is using quantum computers to create music entirely from scratch.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_3″][et_pb_image _builder_version=”4.19.2″ src=”https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/02\/KI_Klassik_06.jpg” background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff” \/][\/et_pb_column][et_pb_column type=”1_3″][et_pb_image _builder_version=”4.19.2″ src=”https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/02\/KI_Klassik_15.jpg” background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff” \/][\/et_pb_column][et_pb_column type=”1_3″][et_pb_image _builder_version=”4.19.2″ src=”https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/02\/KI_Klassik_17.jpg” background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff” \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_text _builder_version=”4.19.2″ background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff”]<\/p>\n

Experts Kenza Ait Si Abbou and Christian Mio Loclair comment on these fascinating developments as well as the currently highly topical Chat GPT platform.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t<\/div> Music created with the assistance of artificial intelligence is a well-established secret in the world of pop. Today, AI is also making serious inroads in the classical domain, bringing us to the threshold of a new era in classical music. From the recording of the first samples to the premiere performance at the Semperoper […]<\/p>\n","protected":false},"author":4,"featured_media":13217,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

[et_pb_section bb_built=\"1\" fullwidth=\"on\" specialty=\"off\" next_background_color=\"#000000\"][et_pb_fullwidth_header _builder_version=\"4.19.2\" title=\"Music ex machina - K\u00fcnstliche Intelligenz in der klassischen Musik\" subhead=\"Ein Film von Bernard Wedig und Stefan Pannen, 52min, WDR, 2023\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" background_color=\"#de0e20\" \/][\/et_pb_section][et_pb_section bb_built=\"1\" prev_background_color=\"#000000\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text _builder_version=\"4.19.2\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\"]<\/p>

Was in der Popmusik schon lange etabliert und serienreif ist, dringt auch in die Klassik vor \u2013 Musik, die mit Hilfe von k\u00fcnstlicher Intelligenz entsteht. Wir befinden uns an der Schwelle zu einem Zeitalter der klassischen Musik. Der Film begleitet das Entstehen der Oper \u201eChasing Waterfalls\u201c, die von einer KI mitkomponiert wurde, von der Aufnahme erster Samples bis zur Premiere an der Semperoper in Dresden.<\/p>

[\/et_pb_text][et_pb_image _builder_version=\"4.19.2\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/02\/KI_Klassik_02.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][et_pb_text _builder_version=\"4.19.2\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\"]<\/p>

Er zeigt, wie die KI, die Beethovens 10te rekonstruiert hat, mit Robbie Williams konzertiert, l\u00e4sst den Pianisten Dirk Maassen im Sony Science Lab in Paris und die Saxophonistin\u00a0 Asya Fateyeva an der Musikhochschule in N\u00fcrnberg in Echtzeit mit einer KI interagieren und zeigt, wie der spanische Professor Eduardo Miranda in Plymouth an Musik aus dem Quantencomputer t\u00fcftelt, die sich g\u00e4nzlich von alleine erschafft.<\/p>

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"1_3\"][et_pb_image _builder_version=\"4.19.2\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/02\/KI_Klassik_06.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][et_pb_column type=\"1_3\"][et_pb_image _builder_version=\"4.19.2\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/02\/KI_Klassik_15.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][et_pb_column type=\"1_3\"][et_pb_image _builder_version=\"4.19.2\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/02\/KI_Klassik_17.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text _builder_version=\"4.19.2\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\"]<\/p>

Als Experten kommentieren Kenza Ait Si Abbou und Christian Mio Loclair die Entwicklungen \u2013 und das Programm Chat GPT, das derzeit in aller Munde ist.<\/p>

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