{"id":13931,"date":"2023-05-19T17:29:15","date_gmt":"2023-05-19T15:29:15","guid":{"rendered":"https:\/\/www.berlin-producers.de\/?post_type=project&#038;p=13931"},"modified":"2023-06-14T12:29:19","modified_gmt":"2023-06-14T10:29:19","slug":"im-labyrinth-der-musiker-joerg-widmann","status":"publish","type":"project","link":"https:\/\/www.berlin-producers.de\/en\/project\/im-labyrinth-der-musiker-joerg-widmann\/","title":{"rendered":"In the Maze &#8211; The Musician J\u00f6rg Widmann"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; fullwidth=&#8221;on&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_image src=&#8221;https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/03\/Joerg-Widmann_Titelbild-Kopie.jpg&#8221; _builder_version=&#8221;4.20.4&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_fullwidth_image][et_pb_fullwidth_header title=&#8221;In the Maze &#8211; The Musician J\u00f6rg Widmann&#8221; subhead=&#8221;A film by Holger Preu\u00dfe, 42 \/ 52min., BR\/ARTE 2022&#8243; _builder_version=&#8221;4.20.4&#8243; background_color=&#8221;#de0e20&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.20.4&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.20.4&#8243; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p>Music takes on a life of its own in the moment of writing, believes J\u00f6rg Widmann. It assumes its own form, becoming a living being that forges its own path. As such, it remains a fragment, because it is not what he, the writer, had intended.<\/p>\n<p>For Widmann, the image that best describes this progression is a maze. Today, this has become the theme that runs through his life\u2019s work, one that he has explored musically over the course of six distinct pieces. In the maze, one gets lost and bumps into things. There are moments <em>&#8220;where it doesn\u2019t go any further. And that is something that I often experience as problematic and very painful in composing. As happy as composing is.&#8221;<\/em> Increasingly, he is led out of the maze of composing into which he has been drawn by his other role of clarinettist (for many years considered one of the world\u2019s best) by his activities as a conductor.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.20.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.20.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_code _builder_version=&#8221;4.20.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div style=\"padding:56.25% 0 0 0;position:relative;\">\n<div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"vimeo-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSBzcmM9Imh0dHBzOi8vcGxheWVyLnZpbWVvLmNvbS92aWRlby84MzM2Mjc1NTE\/aD00MjY0YTM1M2MxJmJhZGdlPTAmYXV0b3BhdXNlPTAmcGxheWVyX2lkPTAmYXBwX2lkPTU4NDc5IiBmcmFtZWJvcmRlcj0iMCIgYWxsb3c9ImF1dG9wbGF5OyBmdWxsc2NyZWVuOyBwaWN0dXJlLWluLXBpY3R1cmUiIGFsbG93ZnVsbHNjcmVlbiBzdHlsZT0icG9zaXRpb246YWJzb2x1dGU7dG9wOjA7bGVmdDowO3dpZHRoOjEwMCU7aGVpZ2h0OjEwMCU7IiB0aXRsZT0iSW4gdGhlIE1hemUgfCBKw7ZyZyBXaWRtYW5uIFRyYWlsZXIgZW5nbGlzY2giPjwvaWZyYW1lPg==\">\n<div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-vimeo\">\n<div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.berlin-producers.de\/wp-content\/uploads\/borlabs-cookie\/1\/brlbs-cb-vimeo-main.png')\"><\/div>\n<div class=\"brlbs-cmpnt-cb-main\">\n<div class=\"brlbs-cmpnt-cb-play-button\"><\/div>\n<div class=\"brlbs-cmpnt-cb-content\">\n<p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>Vimeo<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p>\n<p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div>\n<div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock content<\/a> <\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/div>\n<p><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>[\/et_pb_code][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.20.4&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>We follow J\u00f6rg Widmann into his maze, reaching for the thread that runs through his life and work. Together with him, we experience the ups and downs, the euphoric moments as well as the moments of crisis that are brought about by the process of writing. We encounter him backstage and on stage. And we discover that it is in fact a bundle of threads that intertwine to form a tangle, whereby the composer without the clarinettist, the conductor without the composer, or J\u00f6rg Widmann without the human, is inconceivable.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_5,3_5,1_5&#8243; _builder_version=&#8221;4.18.0&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2022\/11\/3Joerg_Widmann_Bild3-scaled.jpg&#8221; _builder_version=&#8221;4.19.2&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_5&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.20.4&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>The film accompanies J\u00f6rg Widmann in the composition of his trumpet concerto \u201cTowards Paradise (Labyrinth VI)\u201d, commissioned by the Leipzig Gewandhaus Orchestra and the Boston Symphony Orchestra. We witness the piece take shape, from the first drafts to the premiere performance. As clarinettist and conductor, we see him at the Salzburg Festival, in the Boulez Hall and at the Konzerthaus Berlin, and experience this \u2018universal musician\u2019 alongside Daniel Barenboim (as pianist), with the celebrated violinist Anne Sophie Mutter, for whom he composed his <em>String Quartet No. 6<\/em>, and during a concert tour of Taiwan together with his sister, the violinist Carolin Widmann.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/03\/14Andris_Nelsons_GHO-AN_31-3-2022_Dirigent_AN_DSC9322_sRGB_3000px-scaled.jpg&#8221; _builder_version=&#8221;4.19.2&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/03\/16Hardenberger_Hakan_c_Marco_Borggreve-scaled.jpg&#8221; _builder_version=&#8221;4.19.2&#8243; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Music takes on a life of its own in the moment of writing, believes J\u00f6rg Widmann. It assumes its own form, becoming a living being that forges its own path. As such, it remains a fragment, because it is not what he, the writer, had intended. For Widmann, the image that best describes this progression [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":13981,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<p>[et_pb_section bb_built=\"1\" fullwidth=\"on\" specialty=\"off\" next_background_color=\"#000000\" inner_width=\"auto\" inner_max_width=\"1080px\"][et_pb_fullwidth_image _builder_version=\"4.20.4\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/03\/Joerg-Widmann_Titelbild-Kopie.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][et_pb_fullwidth_header _builder_version=\"4.19.2\" title=\"Im Labyrinth - Der Musiker J\u00f6rg Widmann\" subhead=\"Ein Film von Holger Preu\u00dfe, 42 \/ 52min., BR\/ARTE 2022\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" background_color=\"#de0e20\" \/][\/et_pb_section][et_pb_section bb_built=\"1\" prev_background_color=\"#000000\" inner_width=\"auto\" inner_max_width=\"1080px\"][et_pb_row][et_pb_column type=\"4_4\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][et_pb_text _builder_version=\"4.19.2\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\"]<\/p><p>Die Musik bekommt ein Eigenleben in dem Moment des Schreibens, so J\u00f6rg Widmann. Sie schl\u00fcpft gleichsam in einen eigenen K\u00f6rper und wird zu einem Lebewesen, das seiner eigenen Wege geht. So bleibt es Fragment, denn es ist nicht das, was er beabsichtigt hatte. Das Labyrinth ist f\u00fcr J\u00f6rg Widmann ein Bild, das diesen Zustand beschreibt. Es ist zu seinem Lebensthema geworden, das er mittlerweile auch in sechs St\u00fccken musikalisch verarbeitet hat. Im Labyrinth verliert man sich, st\u00f6\u00dft an, es sind Momente, <em>\u201ewo es nicht weitergeht. Und das ist etwas, was ich im Komponieren oft als problematisch und sehr schmerzhaft erfahre. So gl\u00fcckhaft das Komponieren auch ist.\u201c<\/em> Aus dem Labyrinth des Komponierens f\u00fchrt ihn der Klarinettist, der er ebenso ist \u2013 seit vielen Jahren einer der besten der Welt \u2013 und mehr und mehr der Dirigent.<\/p><p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.18.0\"][et_pb_column type=\"1_5\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][\/et_pb_column][et_pb_column type=\"3_5\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][et_pb_image _builder_version=\"4.19.2\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2022\/11\/3Joerg_Widmann_Bild3-scaled.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][et_pb_column type=\"1_5\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"4_4\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][et_pb_text _builder_version=\"4.19.2\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\"]<\/p><p>Wir folgen J\u00f6rg Widmann in sein Labyrinth, greifen dabei nach dem roten Faden, der sein Leben durchzieht. Erleben mit ihm das Auf und Ab, die euphorischen wie auch die krisenhaften Momente des Schreibens. Entdecken ihn hinter und auf der B\u00fchne. Und stellen dabei fest, dass es ein ganzes B\u00fcndel von F\u00e4den ist, die sich bei ihm zu einem Kn\u00e4uel verstricken, wobei der Komponist ohne den Klarinettisten, der Dirigent ohne den Komponisten, J\u00f6rg Widmann ohne den Menschen nicht zu denken ist.<\/p><p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"1_2\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][et_pb_image _builder_version=\"4.19.2\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/03\/14Andris_Nelsons_GHO-AN_31-3-2022_Dirigent_AN_DSC9322_sRGB_3000px-scaled.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][et_pb_column type=\"1_2\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][et_pb_image _builder_version=\"4.19.2\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/03\/16Hardenberger_Hakan_c_Marco_Borggreve-scaled.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"4_4\" custom_padding__hover=\"|||\" custom_padding=\"|||\"][et_pb_text _builder_version=\"4.19.2\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\"]<\/p><p>Der Film begleitet J\u00f6rg Widmann bei der Komposition seines Trompetenkonzertes <em>\u201eTowards Paradise\u201c<\/em> (Labyrinth VI), das im Auftrag des Gewandhausorchesters Leipzig und des Boston Symphony Orchestra entsteht \u2013 von den ersten Entw\u00fcrfen bis zur Urauff\u00fchrung. Als Klarinettist und Dirigent sehen wir ihn bei den Salzburger Festspielen, im Boulez Saal und Konzerthaus Berlin, erleben den Universalmusiker gemeinsam mit Daniel Barenboim, mit Anne Sophie Mutter, f\u00fcr die er sein 6. Streichquartett komponiert hat, und auf einer Taiwan-Tournee mit seiner Schwester, der Geigerin Carolin Widmann.<\/p><p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","_et_gb_content_width":"","footnotes":""},"project_category":[188,189,193],"project_tag":[],"class_list":["post-13931","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-production-si","project_category-screening-room-en-2","project_category-sr-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>In the Maze - The Musician J\u00f6rg Widmann - Berlin Producers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.berlin-producers.de\/en\/project\/im-labyrinth-der-musiker-joerg-widmann\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In the Maze - The Musician J\u00f6rg Widmann - Berlin Producers\" \/>\n<meta property=\"og:description\" content=\"Music takes on a life of its own in the moment of writing, believes J\u00f6rg Widmann. 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