[et_pb_section bb_built=”1″ fullwidth=”on” specialty=”off” next_background_color=”#000000″ inner_width=”auto” inner_max_width=”1080px”][et_pb_fullwidth_header _builder_version=”4.20.4″ title=”Der Komponist Paul Dessau – Von Hamburg \u00fcber Hollywood in die DDR ” subhead=”Ein Film von Anne-Kathrin Peitz, 53 min., NDR\/ARTE 2023″ background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff” background_color=”#de0e20″ \/][\/et_pb_section][et_pb_section bb_built=”1″ prev_background_color=”#000000″ inner_width=”auto” inner_max_width=”1080px”][et_pb_row][et_pb_column type=”4_4″ custom_padding__hover=”|||” custom_padding=”|||”][et_pb_text _builder_version=”4.20.4″ background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff”]<\/p>\n
Paul Dessau (1894-1979) has been a violin prodigy, became Otto Klemperer’s assistant and finally an accomplished conductor. He wrote operetta and film music – from mountain films with Leni Riefenstahl by director Arnold Fanck to Walt Disney’s animated films. Born in Hamburg, he was a soldier in World War I and a Jewish exile in France and the USA in WWII. In Hollywood, he meanwhile worked on a chicken farm and wrote the sounds for some celluloid blockbusters as an anonymous “music slave” for the major studios.<\/p>\n
As a convinced communist, Paul Dessau settled over to the GDR in 1948. He worked with Bertolt Brecht as well as his fourth wife, the stage directing idol Ruth Berghaus, and had a significant influence on the socialist music scene and stage art. He became a music teacher for children at his son Maxim’s school in Zeuthen. His works were taught in schools, his “Th\u00e4lmann-Kolonne” became soon very popular, but at the same time he was condemned as a formalist because of his often idiosyncratic tonal language. He became a GDR state composer who was mainly celebrated on the outside, but sharply criticized on the inside.<\/p>\n
With over 430 works to his name, Paul Dessau has been what a workaholic is being called, with his explosive, often unwieldy sound language an inconvenient man who wanted to change society and help shape it: “Music is not a medium for relaxation. Absolutely not. There are pills or walking for that, which is cheaper. Music is really exhausting – to make and to listen to.”<\/p>\n
Who has this man of conviction been, who truly fought for musical innovation and clung to the communist idea with almost na\u00efve steadfastness? Who was this person whose appearance could be just as ornery and edgy, witty and contradictory, laconic or loving as his music?<\/p>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″][et_pb_image _builder_version=”4.20.4″ src=”https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/05\/1_Paul-Dessau.jpg” background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff” \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”4_4″ custom_padding__hover=”|||” custom_padding=”|||”][et_pb_text _builder_version=”4.20.4″ background_pattern_color=”rgba(0,0,0,0.2)” background_mask_color=”#ffffff”]<\/p>\n
“Paul Dessau: Let’s hope for the best” by Anne-Kathrin Peitz sketches an artist’s life between conformity and repulsion, political idealism and musical individuality, in which the changeable German-German history of the 20th century is strikingly condensed as if under a burning glass.<\/p>\n
The film portrait consciously traces the contradictions in Dessau’s character, life and work and embeds the man and his music in the historical context. The cinematic approach to the protagonist and his sound cosmos becomes a jigsaw puzzle, both literally and figuratively, whose individual \u2013 often disparate \u2013 pieces slowly come together to form an overall picture.<\/p>\n
In staged concert scenes, artists translate his sound into body language and tongue-in-cheek cartoons his song humoresques into associative picture stories. Musicians play in quarries, orchestral works become music clips, pupils of the “Paul Dessau” comprehensive school in Zeuthen walk in the footsteps of their namesake. Historical recordings evoke the world and stations of Dessau’s life, and the composer himself has his say in rarely shown archive scenes. In addition, interview partners – from politician Gregor Gysi to former concert hall director Frank Schneider or the American jazz composer Jack Cooper as well as composer and pianist Steffen Schleiermacher \u2013 try to create a portrait of Paul Dessau not only with words, but actually by doing a puzzle.<\/p>\n
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[et_pb_section bb_built=\"1\" fullwidth=\"on\" specialty=\"off\" next_background_color=\"#000000\"][et_pb_fullwidth_header _builder_version=\"4.20.4\" title=\"Der Komponist Paul Dessau - Von Hamburg \u00fcber Hollywood in die DDR \" subhead=\"Ein Film von Anne-Kathrin Peitz, 53 min., NDR\/ARTE 2023\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_section][et_pb_section bb_built=\"1\" prev_background_color=\"#000000\"][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text _builder_version=\"4.20.4\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\"]<\/p>
Paul Dessau ist Geiger, Dirigent, Komponist und Musiklehrer. Er schreibt Operetten- und Filmmusik \u2013 sowohl zu Bergfilmen mit Leni Riefenstahl als auch zu Trickfilmen Walt Disneys. Im Ersten Weltkrieg ist der geb\u00fcrtige Hamburger Soldat, im Zweiten j\u00fcdischer Exilant in Frankreich und in den USA. In Hollywood arbeitet er auf einer H\u00fchnerfarm und schreibt als anonymer \u201eNotensklave\u201c die Kl\u00e4nge zu einigen Zelluloid-Blockbustern.<\/p>
Als \u00fcberzeugter Kommunist geht Paul Dessau 1948 in die DDR. Er arbeitet mit Bertolt Brecht sowie seiner vierten Frau, der Regie-Ikone Ruth Berghaus, und pr\u00e4gt ma\u00dfgeblich die sozialistische Musikszene und B\u00fchnenkunst. Seine \u201eTh\u00e4lmann-Kolonne\u201c wird zum Gassenhauer, gleichzeitig wird er wegen seiner oft eigenwilligen Klangsprache als Formalist verschrien. Er wird zum nach au\u00dfen gefeierten, nach innen angefeindeten DDR-Staatskomponisten.<\/p>
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"1_2\"][et_pb_image _builder_version=\"4.20.4\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/05\/8_Paul-Dessau.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][et_pb_column type=\"1_2\"][et_pb_image _builder_version=\"4.20.4\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/05\/6_Paul-Dessau.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"4_4\"][et_pb_text _builder_version=\"4.20.4\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\"]<\/p>
Der Film skizziert ein K\u00fcnstlerleben zwischen Anpassung und Absto\u00dfung, politischem Idealismus und musikalischer Individualit\u00e4t, in dem sich wie unter einem Brennglas die wechselhafte deutsch-deutsche Geschichte des 20. Jahrhunderts verdichtet. Mit \u00fcber 430 Werken ist Paul Dessau ein Arbeitsw\u00fctiger, mit seiner explosiven, oft sperrigen Klangsprache ein Unbequemer, der Gesellschaft ver\u00e4ndern und mitgestalten m\u00f6chte und mit fast naiver Unersch\u00fctterlichkeit an der kommunistischen Idee festhielt.<\/p>
Interviewpartner von Politiker Gregor Gysi bis zum amerikanischen Jazz-Komponisten Jack Cooper lassen nicht nur mit Worten, sondern tats\u00e4chlich puzzelnd das Portrait eines deutschen K\u00fcnstlers entstehen.<\/p>
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=\"1_3\"][et_pb_image _builder_version=\"4.20.4\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/05\/1_Paul-Dessau.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][et_pb_column type=\"1_3\"][et_pb_image _builder_version=\"4.20.4\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/05\/4_Paul-Dessau.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][et_pb_column type=\"1_3\"][et_pb_image _builder_version=\"4.20.4\" src=\"https:\/\/www.berlin-producers.de\/wp-content\/uploads\/2023\/05\/3_Paul-Dessau.jpg\" background_pattern_color=\"rgba(0,0,0,0.2)\" background_mask_color=\"#ffffff\" \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","_et_gb_content_width":"","footnotes":""},"project_category":[184,188,189,193],"project_tag":[],"class_list":["post-13950","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-production","project_category-production-si","project_category-screening-room-en-2","project_category-sr-music"],"yoast_head":"\n