Mona Bard

Mona Bard

Mona Bard

Editorial Office, Producer
Isabel Hahn Editorial Trainee

Contact:

mona.bard@sounding-images.de

Mona Bard has an intuitive sense of rhythm and an unerring instinct for harmonic turns. A noticeable and audible advantage, not only in the conception and realization of her projects. And this is no coincidence: as a concert pianist and arts & media manager, she combines artistic standards with professional production management. She knows the world of classical music inside out, has excellent connections both on and off stage and has been bringing her passion to sounding images‘ productions as an editor and producer since 2024.

Marie Langleist

Marie Langleist

Marie Langleist

Production Coordinator
Isabel Hahn Editorial Trainee

Contact:

+49 30 44 03 169 – 72
marie.langleist[at]berlin-producers.de

Marie Langleist joined Berlin Producers in April 2021 and has been supporting the team of the ZDF documentary series plan b as production coordinator ever since. As the central contact, she is responsible for all organizational tasks from planning a shoot to the final delivery to the broadcaster. Before joining Berlin Producers, she worked for various companies in the field of event organization, production and program management. She loves working with people from different areas of a project and faces every challenge with a smile.

 

Magic Moments of Music – Martha Argerich in Warsaw

Magic Moments of Music – Martha Argerich in Warsaw

Magic Moments of Music – Martha Argerich in Warsaw

A film by Holger Preuße & Philipp Quiring, ZDF/arte and C Major Entertainment, 43 min.

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With her first prize at the legendary 1965 Chopin Competition in Warsaw, she took the world by storm. In the early rounds already, Martha Argerich is the undisputed star of the event. People queue up for hours to buy tickets for her concerts, there are reports of fisticuffs outside the booking offices. Her only serious competitor is the Brazilian pianist Arthur Moreira Lima, he too can thrill both his audiences and the jury. The rivalry between the two of them makes for heated disputes and divides the jury. The “Magic Moments of Music” series brings back memories of the birth of a legend named Martha Argerich.

The Shah and the Ayatollah

The Shah and the Ayatollah

The Shah and the Ayatollah

A film by Holger Preusse, WDR/SWR/ARTE, 52 & 43 min.

Forty years ago, a revolution in Iran led by Ayatollah Khomeini overthrew the ruler Shah Mohammad Reza Pahlavi, and with this a monarchy that had lasted over 2,500 years. The story of the Shah begins with bright ideas and strong ideals, and ends in bloody turmoil. From the beginning of his reign and in his aspirations to modernise Iran, the Shah depended on the support of the clergy and the mullahs. Finally, it is they who bring him down. The struggle between the Shah and Ayatollah Khomeini lasts many decades. In the end, Islamic fundamentalism triumphs, heralding a new challenge for global politics.

Commissioning editors:
Beate Schlanstein (WDR)
Ulrike Becker (SWR)
Peter Gottschalk (ARTE)

Magic Moments of Music – Montserrat Caballé sings Norma

Magic Moments of Music – Montserrat Caballé sings Norma

Magic Moments of Music – Montserrat Caballé sings Norma

A film by Claus Wischmann, ZDF/arte and C Major Entertainment, 43 min.

On the day of the open-air performance of Vincenzo Bellini’s opera ‘Norma’ in 1974, a severe storm is blowing through the city of Orange in southern France. The much-anticipated event may have to be called off at the last moment. All the while, in the spectacular Roman amphitheatre, nine thousand spectators await Montserrat Caballé in the title role of Norma. In the face of these adverse conditions, the singer and musicians nevertheless decide to perform. It will be a legendary evening of music.

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For this film, Montserrat Caballé’s brother, Carlos Caballé, has given the first interview since the death of his sister in October 2018. Carlos had accompanied her throughout her life and was also in attendance for the rehearsals and performances in Orange in 1974. Soprano Sonia Yoncheva and Olga Peretyatko tell of their admiration for “La Superba”, as Caballé was known to her fans. And just a few short years after this performance, Maria Callas would describe Caballé her as her true successor – high praise indeed.